164 bars of 4/4 at 123 BPM, about 6:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 65-71, 73-79 and 81-86, and 1 more place -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 9, 13, 26, 27, 28, 29 and 16 more.
7 more fills are written out on the fills page.
164 bars across 16 sections: 92 keep time, 22 are fills, 8 are stops and 25 are silent. The longest unbroken stretch of time is bars 50-63.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
164 bars, about 6:10 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 9, 13, 26, 27, 28, 29 and 16 more.