162 bars of 4/4 at 140 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 27-29, and 8 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 33 times: bars 6, 7, 8, 9, 10, 18 and 27 more.
10 more fills are written out on the fills page.
162 bars across 15 sections: 104 keep time, 35 are fills and 7 are stops. The longest unbroken stretch of time is bars 141-153.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
162 bars, about 4:36 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 33 times: bars 6, 7, 8, 9, 10, 18 and 27 more.