67 bars of 4/4 at 126 BPM, about 2:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 28-31, 33-36 and 59-64 -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 1, 5, 9, 14, 18, 22 and 4 more.
67 bars across 9 sections: 45 keep time, 10 are fills and 1 is a stop. The longest unbroken stretch of time is bars 29-35.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
67 bars, about 2:08 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 1, 5, 9, 14, 18, 22 and 4 more.