128 bars of 4/4 at a walking 100 BPM, 5:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 42-45, 51-54 and 60-63, and 2 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 20 times: bars 5, 6, 7, 8, 25, 35 and 14 more.
4 more fills are written out on the fills page.
132 bars across 23 sections: 70 keep time, 20 are fills, 1 is a stop and 22 are silent. The longest unbroken stretch of time is bars 9-20.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
128 bars, about 5:07 at the written tempo. The course breaks it into 49 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 5, 6, 7, 8, 25, 35 and 14 more.