114 bars of 4/4 at 130 BPM, about 3:30 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31, 33-38 and 57-63, and 3 more places -- 34% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 13 times: bars 30, 32, 64, 72, 74, 76 and 7 more.
4 more fills are written out on the fills page.
114 bars across 9 sections: 82 keep time, 13 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 1-22.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
114 bars, about 3:30 at the written tempo. The course breaks it into 26 exercises over 6 sittings, about 28 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 30, 32, 64, 72, 74, 76 and 7 more.