208 bars of 2/4 -- not four -- at 105 BPM, 3:58 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-19, and 13 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 67, 169 and 185.
208 bars across 6 sections: 77 keep time, 3 are fills, 123 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-28.
105 BPM, in 2/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 43 out of 100; the rest of the number is everything around it.
208 bars, about 3:58 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 67, 169 and 185.