140 bars, 10:22, at 52 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 23-29, 31-35 and 57, and 12 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
22 fills to learn, played 37 times: bars 12, 16, 20, 21, 22, 37 and 31 more.
18 more fills are written out on the fills page.
140 bars across 11 sections: 73 keep time, 37 are fills, 6 are stops and 11 are silent. The longest unbroken stretch of time is bars 97-109.
52 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
140 bars, about 10:22 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 37 times: bars 12, 16, 20, 21, 22, 37 and 31 more.