129 bars of 4/4 at a walking 98 BPM, 5:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50-63, 66-72 and 74-79, and 1 more place -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 18 times: bars 5, 6, 10, 16, 23, 31 and 12 more.
6 more fills are written out on the fills page.
129 bars across 12 sections: 76 keep time, 20 are fills, 16 are stops and 5 are silent. The longest unbroken stretch of time is bars 51-79.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
129 bars, about 5:16 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 5, 6, 10, 16, 23, 31 and 12 more.