50 bars, 2:56, at 68 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 7, 11 and 13-15, and 4 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 18 times: bars 8, 12, 16, 17, 18, 27 and 12 more.
3 more fills are written out on the fills page.
50 bars across 5 sections: 22 keep time, 18 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 21-24.
68 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
50 bars, about 2:56 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 8, 12, 16, 17, 18, 27 and 12 more.