165 bars of 4/4 at 133 BPM, about 4:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-19, 22-23 and 27-41, and 12 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 8, 42, 50, 84, 92, 108 and 7 more.
3 more fills are written out on the fills page.
165 bars across 8 sections: 123 keep time, 14 are fills and 18 are stops. The longest unbroken stretch of time is bars 136-165.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
165 bars, about 4:55 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 8, 42, 50, 84, 92, 108 and 7 more.