122 bars of 4/4 at 128 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-33 and 52-57 -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 19 times: bars 16, 17, 18, 37, 38, 47 and 13 more.
122 bars across 13 sections: 75 keep time, 20 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 20-36.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
122 bars, about 3:49 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 19 times: bars 16, 17, 18, 37, 38, 47 and 13 more.