110 bars of 4/4 at a walking 95 BPM, 4:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 29, and 5 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 22 times: bars 5, 6, 7, 8, 50, 53 and 16 more.
3 more fills are written out on the fills page.
110 bars across 12 sections: 72 keep time, 22 are fills and 2 are silent. The longest unbroken stretch of time is bars 19-47.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
110 bars, about 4:23 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 5, 6, 7, 8, 50, 53 and 16 more.