90 bars of 4/4 at a walking 94 BPM, 3:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 38-40 and 43, and 6 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 28 times: bars 10, 11, 12, 13, 14, 15 and 22 more.
10 more fills are written out on the fills page.
90 bars across 12 sections: 43 keep time, 28 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 2-9.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
90 bars, about 3:48 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 10, 11, 12, 13, 14, 15 and 22 more.