173 bars of 3/4 -- not four -- at 179 BPM, 3:05 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55, 57 and 61, and 24 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 41 times: bars 38, 46, 48, 52, 53, 54 and 35 more.
11 more fills are written out on the fills page.
173 bars across 11 sections: 49 keep time, 41 are fills, 25 are stops and 53 are silent. The longest unbroken stretch of time is bars 72-79.
179 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
173 bars, about 3:05 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 41 times: bars 38, 46, 48, 52, 53, 54 and 35 more.