368 bars at 200 BPM -- fast, and 6:53 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 91-93, 99-100 and 133, and 52 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 38 times: bars 14, 55, 63, 75, 94, 101 and 32 more.
14 more fills are written out on the fills page.
368 bars across 31 sections: 232 keep time, 39 are fills, 50 are stops and 13 are silent. The longest unbroken stretch of time is bars 106-129.
200 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
368 bars, about 6:53 at the written tempo. The course breaks it into 94 exercises over 29 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 38 times: bars 14, 55, 63, 75, 94, 101 and 32 more.