176 bars of 4/4 at 120 BPM, about 5:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 52-53, 56-57 and 94-95, and 6 more places -- 9.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 29, 30, 36, 38, 79, 103 and 6 more.
4 more fills are written out on the fills page.
176 bars across 23 sections: 131 keep time, 12 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 18-28.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
176 bars, about 5:24 at the written tempo. The course breaks it into 73 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 29, 30, 36, 38, 79, 103 and 6 more.