142 bars of 4/4 at a walking 90 BPM, 6:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-12, 27-28 and 95-96, and 1 more place -- 7.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 34 times: bars 4, 5, 6, 13, 14, 18 and 28 more.
13 more fills are written out on the fills page.
142 bars across 16 sections: 56 keep time, 34 are fills and 32 are silent. The longest unbroken stretch of time is bars 75-81.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 32 out of 100; the rest of the number is everything around it.
142 bars, about 6:19 at the written tempo. The course breaks it into 57 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 34 times: bars 4, 5, 6, 13, 14, 18 and 28 more.