474 bars of 4/4 at 110 BPM, about 17:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 9-10 and 13, and 23 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31 fills to learn, played 126 times: bars 80, 112, 154, 155, 156, 157 and 120 more.
28 more fills are written out on the fills page.
474 bars across 34 sections: 262 keep time, 126 are fills, 13 are stops and 35 are silent. The longest unbroken stretch of time is bars 15-79.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
474 bars, about 17:01 at the written tempo. The course breaks it into 153 exercises over 53 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 126 times: bars 80, 112, 154, 155, 156, 157 and 120 more.