153 bars of 4/4 at 145 BPM, about 4:13 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 13-15, 17-19 and 21-23, and 8 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 12, 16, 24, 28, 40, 62 and 6 more.
2 more fills are written out on the fills page.
153 bars across 7 sections: 105 keep time, 12 are fills, 26 are stops and 4 are silent. The longest unbroken stretch of time is bars 41-61.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
153 bars, about 4:13 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 12, 16, 24, 28, 40, 62 and 6 more.