79 bars of 4/4 at a walking 100 BPM, 3:07 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-22, 24-26 and 40, and 5 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 13 times: bars 19, 23, 33, 41, 45, 49 and 7 more.
6 more fills are written out on the fills page.
79 bars across 10 sections: 54 keep time, 13 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 2-18.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
79 bars, about 3:07 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 19, 23, 33, 41, 45, 49 and 7 more.