609 bars of 4/4 at 120 BPM, about 20:19 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-33, 36 and 72-89, and 19 more places -- 19.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
44 fills to learn, played 132 times: bars 20, 21, 34, 35, 37, 41 and 126 more.
40 more fills are written out on the fills page.
609 bars across 38 sections: 338 keep time, 132 are fills, 79 are stops and 25 are silent. The longest unbroken stretch of time is bars 73-89.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
609 bars, about 20:19 at the written tempo. The course breaks it into 124 exercises over 32 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
44 fills to learn, played 132 times: bars 20, 21, 34, 35, 37, 41 and 126 more.