297 bars of 4/4 at 140 BPM, about 8:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 71-76, 129-134 and 190-193, and 2 more places -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 80 times: bars 8, 9, 10, 11, 20, 21 and 74 more.
22 more fills are written out on the fills page.
297 bars across 30 sections: 151 keep time, 80 are fills, 19 are stops and 15 are silent. The longest unbroken stretch of time is bars 280-287.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
297 bars, about 8:47 at the written tempo. The course breaks it into 97 exercises over 31 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 80 times: bars 8, 9, 10, 11, 20, 21 and 74 more.