104 bars of 4/4 at a walking 96 BPM, 4:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-12, 15 and 25-31, and 3 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 10 times: bars 24, 32, 36, 40, 44, 52 and 4 more.
4 more fills are written out on the fills page.
104 bars across 11 sections: 68 keep time, 10 are fills, 7 are stops and 9 are silent. The longest unbroken stretch of time is bars 82-91.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
104 bars, about 4:20 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 24, 32, 36, 40, 44, 52 and 4 more.