130 bars of 4/4 at a walking 108 BPM, 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-9, 11-16 and 25-27, and 4 more places -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 18 times: bars 10, 23, 24, 28, 45, 49 and 12 more.
5 more fills are written out on the fills page.
130 bars across 7 sections: 101 keep time, 19 are fills and 1 is silent. The longest unbroken stretch of time is bars 11-22.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
130 bars, about 4:49 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 10, 23, 24, 28, 45, 49 and 12 more.