160 bars of 4/4 at a walking 105 BPM, 6:06 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 53-60 and 71, and 9 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 86 and 118.
160 bars across 20 sections: 123 keep time, 2 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 38-52.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
160 bars, about 6:06 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 86 and 118.