107 bars of 4/4 at 130 BPM, about 3:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 39-41, and 6 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 28 times: bars 8, 20, 21, 26, 30, 34 and 22 more.
8 more fills are written out on the fills page.
107 bars across 11 sections: 36 keep time, 28 are fills and 31 are stops. The longest unbroken stretch of time is bars 11-15.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
107 bars, about 3:18 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 8, 20, 21, 26, 30, 34 and 22 more.