92 bars of 4/4 at a walking 96 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-13, 15-17 and 19-21, and 5 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 20 times: bars 2, 6, 10, 22, 26, 32 and 14 more.
7 more fills are written out on the fills page.
92 bars across 9 sections: 62 keep time, 20 are fills and 1 is silent. The longest unbroken stretch of time is bars 33-43.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
92 bars, about 3:49 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 2, 6, 10, 22, 26, 32 and 14 more.