131 bars at 162 BPM -- fast, and 3:14 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27, 31 and 33-35, and 12 more places -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 27 times: bars 28, 32, 36, 40, 42, 50 and 21 more.
4 more fills are written out on the fills page.
131 bars across 10 sections: 45 keep time, 27 are fills, 25 are stops and 26 are silent. The longest unbroken stretch of time is bars 43-49.
162 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
131 bars, about 3:14 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 27 times: bars 28, 32, 36, 40, 42, 50 and 21 more.