108 bars of 3/4 -- not four -- at 98 BPM, 3:17 of playing on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 15 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 19 times: bars 23, 24, 34, 50, 67, 68 and 13 more.
3 more fills are written out on the fills page.
108 bars across 11 sections: 60 keep time, 19 are fills, 7 are stops and 12 are silent. The longest unbroken stretch of time is bars 51-64.
98 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
108 bars, about 3:17 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 23, 24, 34, 50, 67, 68 and 13 more.