116 bars of 4/4 at a walking 84 BPM, 5:28 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-26, 28-30 and 43-44, and 2 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 16 times: bars 16, 17, 18, 40, 41, 50 and 10 more.
3 more fills are written out on the fills page.
116 bars across 15 sections: 72 keep time, 16 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 21-31.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
116 bars, about 5:28 at the written tempo. The course breaks it into 46 exercises over 16 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 16, 17, 18, 40, 41, 50 and 10 more.