61 bars of 4/4 at a walking 80 BPM, 3:03 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4-6, 8-10 and 12, and 7 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 11, 19, 20, 28, 36, 37 and 6 more.
2 more fills are written out on the fills page.
61 bars across 6 sections: 40 keep time, 12 are fills and 2 are silent. The longest unbroken stretch of time is bars 3-10.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
61 bars, about 3:03 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 11, 19, 20, 28, 36, 37 and 6 more.