193 bars of 4/4 at 128 BPM, about 6:02 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 26 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 29 times: bars 39, 43, 45, 49, 83, 85 and 23 more.
6 more fills are written out on the fills page.
193 bars across 8 sections: 75 keep time, 29 are fills, 72 are stops and 13 are silent. The longest unbroken stretch of time is bars 2-19.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
193 bars, about 6:02 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 29 times: bars 39, 43, 45, 49, 83, 85 and 23 more.