125 bars of 4/4 at a walking 84 BPM, 5:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-18, 35 and 49, and 8 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 59 times: bars 2, 3, 4, 5, 6, 7 and 53 more.
17 more fills are written out on the fills page.
125 bars across 12 sections: 53 keep time and 59 are fills. The longest unbroken stretch of time is bars 53-57.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
125 bars, about 5:57 at the written tempo. The course breaks it into 62 exercises over 17 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 59 times: bars 2, 3, 4, 5, 6, 7 and 53 more.