67 bars of 4/4 at a walking 93 BPM, 2:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 9-10 and 19-20, and 6 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 4, 5, 8, 33, 50, 55 and 8 more.
3 more fills are written out on the fills page.
67 bars across 8 sections: 39 keep time, 15 are fills and 2 are stops. The longest unbroken stretch of time is bars 23-28.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
67 bars, about 2:53 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 4, 5, 8, 33, 50, 55 and 8 more.