214 bars of 4/4 at a walking 95 BPM, 9:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20, 23-24 and 27-28, and 22 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 30 times: bars 8, 12, 16, 32, 40, 48 and 24 more.
19 more fills are written out on the fills page.
214 bars across 19 sections: 159 keep time, 30 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 106-123.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
214 bars, about 9:00 at the written tempo. The course breaks it into 82 exercises over 26 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 30 times: bars 8, 12, 16, 32, 40, 48 and 24 more.