105 bars of 4/4 at a walking 100 BPM, 4:10 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 14-16, 22-24 and 38-40, and 5 more places -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 11 times: bars 9, 25, 33, 41, 52, 57 and 5 more.
105 bars across 20 sections: 60 keep time, 12 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 2-8.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
105 bars, about 4:10 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 9, 25, 33, 41, 52, 57 and 5 more.