73 bars of 4/4 at a walking 106 BPM, 2:46 of playing, on crash, ride, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 11 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 48, 49, 57 and 71.
73 bars across 3 sections: 65 keep time, 4 are fills and 1 is a stop. The longest unbroken stretch of time is bars 18-47.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
73 bars, about 2:46 at the written tempo. The course breaks it into 19 exercises over 7 sittings, about 25 minutes each.
crash, ride, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 48, 49, 57 and 71.