137 bars at 210 BPM -- fast, and 2:35 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 9 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 49 times: bars 9, 10, 14, 17, 18, 22 and 43 more.
17 more fills are written out on the fills page.
137 bars across 18 sections: 54 keep time, 49 are fills, 13 are stops and 5 are silent. The longest unbroken stretch of time is bars 51-57.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
137 bars, about 2:35 at the written tempo. The course breaks it into 66 exercises over 19 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 49 times: bars 9, 10, 14, 17, 18, 22 and 43 more.