76 bars of 4/4 at 137 BPM, about 1:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 48-50, 52-54 and 56-58, and 1 more place -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 9, 14, 19, 24, 27, 37 and 11 more.
3 more fills are written out on the fills page.
76 bars across 6 sections: 33 keep time, 17 are fills, 15 are stops and 4 are silent. The longest unbroken stretch of time is bars 10-13.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
76 bars, about 1:59 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 9, 14, 19, 24, 27, 37 and 11 more.