128 bars at 165 BPM -- fast, and 3:39 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4-19 -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 32 times: bars 23, 27, 37, 39, 41, 43 and 26 more.
16 more fills are written out on the fills page.
128 bars across 13 sections: 54 keep time, 32 are fills, 6 are stops and 25 are silent. The longest unbroken stretch of time is bars 1-20.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
128 bars, about 3:39 at the written tempo. The course breaks it into 60 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 32 times: bars 23, 27, 37, 39, 41, 43 and 26 more.