54 bars, 3:22, at 63 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 14-17, 19-20 and 36, and 3 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 17 times: bars 13, 18, 33, 34, 35, 37 and 11 more.
3 more fills are written out on the fills page.
54 bars across 4 sections: 23 keep time, 17 are fills and 12 are silent. The longest unbroken stretch of time is bars 25-32.
63 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
54 bars, about 3:22 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 13, 18, 33, 34, 35, 37 and 11 more.