160 bars at 180 BPM -- fast, and 6:53 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 16 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 36 times: bars 3, 5, 9, 10, 11, 13 and 30 more.
9 more fills are written out on the fills page.
160 bars across 10 sections: 59 keep time, 36 are fills, 12 are stops and 44 are silent. The longest unbroken stretch of time is bars 115-121.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
160 bars, about 6:53 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 36 times: bars 3, 5, 9, 10, 11, 13 and 30 more.