177 bars of 4/4 at 124 BPM, about 5:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-8, 10-12 and 14-16, and 20 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 10 times: bars 37, 40, 47, 82, 85, 92 and 4 more.
177 bars across 14 sections: 143 keep time, 10 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 6-36.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
177 bars, about 5:43 at the written tempo. The course breaks it into 51 exercises over 18 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 37, 40, 47, 82, 85, 92 and 4 more.