169 bars at 175 BPM -- fast, and 3:51 of it without a break -- on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 41-43, and 14 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 13 times: bars 5, 32, 48, 52, 78, 94 and 7 more.
169 bars across 9 sections: 142 keep time, 13 are fills and 1 is a stop. The longest unbroken stretch of time is bars 53-71.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
169 bars, about 3:51 at the written tempo. The course breaks it into 41 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 13 times: bars 5, 32, 48, 52, 78, 94 and 7 more.