229 bars of 4/4 at 111 BPM, about 7:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 13 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20 fills to learn, played 45 times: bars 20, 28, 55, 72, 74, 80 and 39 more.
16 more fills are written out on the fills page.
229 bars across 23 sections: 109 keep time, 46 are fills, 26 are stops and 33 are silent. The longest unbroken stretch of time is bars 29-35.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
229 bars, about 7:47 at the written tempo. The course breaks it into 64 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 45 times: bars 20, 28, 55, 72, 74, 80 and 39 more.