138 bars of 4/4 at 131 BPM, about 4:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-10, 15 and 17, and 8 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 52 times: bars 6, 8, 22, 29, 30, 35 and 46 more.
11 more fills are written out on the fills page.
138 bars across 20 sections: 56 keep time, 52 are fills, 8 are stops and 7 are silent. The longest unbroken stretch of time is bars 15-21.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
138 bars, about 4:13 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 52 times: bars 6, 8, 22, 29, 30, 35 and 46 more.