110 bars of 4/4 at 132 BPM, about 3:20 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-19, 22-23 and 26-27, and 13 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 21 times: bars 16, 24, 40, 41, 42, 44 and 15 more.
5 more fills are written out on the fills page.
110 bars across 8 sections: 76 keep time, 21 are fills and 1 is a stop. The longest unbroken stretch of time is bars 54-70.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
110 bars, about 3:20 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 27 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 16, 24, 40, 41, 42, 44 and 15 more.