103 bars of 4/4 at a walking 92 BPM, 4:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-35, 38 and 58-59, and 10 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 1, 33, 41, 57, 73, 81 and 3 more.
3 more fills are written out on the fills page.
103 bars across 9 sections: 82 keep time, 9 are fills and 1 is a stop. The longest unbroken stretch of time is bars 2-25.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
103 bars, about 4:27 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 1, 33, 41, 57, 73, 81 and 3 more.