138 bars of 4/4 at 110 BPM, about 5:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 29-31, and 9 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 51 times: bars 4, 12, 14, 16, 18, 19 and 45 more.
14 more fills are written out on the fills page.
138 bars across 12 sections: 65 keep time, 51 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 102-105.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
138 bars, about 5:01 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 51 times: bars 4, 12, 14, 16, 18, 19 and 45 more.