160 bars at 175 BPM -- fast, and 3:38 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-25, 27-29 and 31-33, and 11 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 54, 55, 89, 93, 97, 101 and 6 more.
2 more fills are written out on the fills page.
160 bars across 16 sections: 90 keep time, 12 are fills, 35 are stops and 13 are silent. The longest unbroken stretch of time is bars 43-53.
175 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
160 bars, about 3:38 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 54, 55, 89, 93, 97, 101 and 6 more.